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PostPosted: 2004-05-06 17:59:29
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Joined: 2004-05-06 17:59:29
Eh up,
Ive been having a look at the following article
http://www.guitarnoise.com/article.php?id=198
and I think I may have finally made a personal breakthrough with
understanding modes but wanted to run it past you guys to make sure I was
right.

I know the fingering pattern for the dorian mode off by heartand after
looking at the table in the article I got to thinking that if I wanted to
play something in E Phrygian (for example) would I just use the D Dorian
shape? Or if I wanted to play in A Mixolydian would I just use the E Dorian
shape? Am I right or am I missing something?

Ill go now cos my brain hurts!!!

cheers
Fred


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PostPosted: 2004-05-06 18:06:13
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In article ,
Fred X wrote:

> I know the fingering pattern for the dorian mode off by heartand after
> looking at the table in the article I got to thinking that if I wanted to
> play something in E Phrygian (for example) would I just use the D Dorian
> shape?

Yep, although you just need to make one little bit of extra effort...
rather than thinking of the notes youre playing as D dorian, think of
them as E phrygian. For instance, in D dorian, the note D is the root,
and therefore a stable note to rest on. In E phrygian, that D note is
the minor seventh, which has a totally different effect. But youve
already done the hard work, so yay to you!


Adrian

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PostPosted: 2004-05-06 19:01:38
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Fred X wrote in message
news:-96dnY8x44hy8wfd4p2dnA@giganews.com...

>
> I know the fingering pattern for the dorian mode off by heartand after
> looking at the table in the article I got to thinking that if I wanted
to
> play something in E Phrygian (for example) would I just use the D
Dorian
> shape? Or if I wanted to play in A Mixolydian would I just use the E
Dorian
> shape? Am I right or am I missing something?
>

Another handy way to look at modes is to have a master scale (eg the
major scale) and relate each mode to that. So A Mixolydian would be A
major with a flat 7th, A Dorian would be A major with flat 3rd & flat
7th, E Phrygian would be E major with b2, b3, b6, b7 (phew!).


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PostPosted: 2004-05-07 12:41:59
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grant wrote:
[snip]
>
> Another handy way to look at modes is to have a master scale (eg the
> major scale) and relate each mode to that. So A Mixolydian would be A
> major with a flat 7th, A Dorian would be A major with flat 3rd & flat
> 7th, E Phrygian would be E major with b2, b3, b6, b7 (phew!).

Or, more simply, E Phrygian is E natural minor with a b2 (the natural
minor already has the b3, b6 & b7).

I find it easier to group the modes into major and minor:

Major:

Ionian (major)
Mixolydian (major with b7)
Lydian (major with #4)

Minor:

Aeolian (natural minor)
Dorian (minor with #6)
Phrygian (minor with b2)
Locrian (minor with b2 & b5)

So there are fewer altered notes to remember - as long as you know the
major and minor scales

Dunno if that makes sense...

Mark


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PostPosted: 2004-05-07 14:32:00
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Mark Lamb wrote in message
news:2g1b0bF33rolU1@uni-berlin.de...
>
> Dorian (minor with #6)

Good system.
Although, dorian is better expressed as minor with a natural 6 (1 2 b3 4 5
6 b7).
Sorry to be a pedantic bar-steward ;-)

Cheers, Dlg.


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PostPosted: 2004-05-07 16:33:36
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Joined: 2004-05-07 16:33:36
> Or, more simply, E Phrygian is E natural minor with a b2 (the natural
> minor already has the b3, b6 & b7).
>
> I find it easier to group the modes into major and minor:
>
> Major:
>
> Ionian (major)
> Mixolydian (major with b7)
> Lydian (major with #4)
>
> Minor:
>
> Aeolian (natural minor)
> Dorian (minor with #6)
> Phrygian (minor with b2)
> Locrian (minor with b2 & b5)
>
> So there are fewer altered notes to remember - as long as you know the
> major and minor scales
>
> Dunno if that makes sense...

Yep, I think about them the same way!


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